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Jack Kerouac School of Disembodied Poetics Audio Archive
Sound Unbound
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Sound Unbound
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Sound Unbound
Description
Rating
Title
Sound
Unbound
Performer(s)
DJ
Spooky
Subject 1
Sound
in
art
.
Abstract
In his
lecture
,
DJ
Spooky
discusses
sound
mixing
.
Spooky
talks
about
his
excursion
to
Antarctica
and
recording
the
sounds
of the
ice
and the
environment
. In
discussing
Antarctica
,
Spooky
talks
about
the
Anthropocene
and how
Antarctica
itself
can
be
viewed
as an
archive
.
Spooky
mentions
several
peoples’
work
and their
influence
on his
own
sound
mixing
style
,
including
Douglas
Hofstadter
and
R
.
Murray
Schafer
.
Content
00:00
Slate
.
Eric
Baus
introduces
Paul
Miller
(aka
DJ
Spooky)
.
02:20
Spooky
talks
about
sound
and
geography
.
Mentions
social
and
cultural
revisions
.
Spooky
wants
to
open
up
the
idea
of the
archive
and
think
about
sound
and
sampling
as a
kind
of
irreverence
of the
dustbin
of
history
.
Spooky
talks
about
taking
a
studio
down
to
Antarctica
and
he’s
been
doing
a
series
of
projects
looking
at
weather
patterns
and
earth
currents
.
Spooky
talks
about
the
Anthropocene
.
Memory
itself
is
a
fractal
process
.
08:35
Spooky
talks
about
his
recording
in
Antarctica
and
exploring
the
idea
of
special
dimensionality
.
Think
about
different
music
genres
and the
idea
of the
urban
landscape
and the
idea
of
geography
give
us the
rhythm
of the
city
, the
grid
. How
do
you
think
of
nature
itself
as an
archive
?
Digging
into
Antarctica
,
you’re
digging
into
millions
of
years
of
time
.
12:25
In
recording
experiences
,
there’s
a
displacement
of the
live
person
by the
recording
, there
becomes
a
second
self
.
Antarctica
itself
is
a
document
;
it’s
a
record
, a
data
trove
.
13:25
Spooky
mentions
Douglas
Hofstadter’s
book
“Gödel
,
Escher
,
Bach
: An
Eternal
Golden
Braid”
and
mentions
its
influence
on his
style
of
sampling
.
Mentions
R
.
Murray
Schafer’s
book
“The
Soundscape
:
Our
Sonic
Environment
and the
Tuning
of the
World,”
another
influence
of
Spooky’s
work
.
15:00
Spooky
tells
the
story
of
working
with
composer
Iannis
Xenakis
.
Spooky
talks
about
what the
mathematics
of
climate
change
would be
like
sonically
.
23:40
Spooky
plays
an
algorithmic
analysis
of the
sound
of
ice
.
Idea
of
physical
objects
holding
a
memory
.
28:50
Spooky
discusses
his
book
“Sound
Unbound”
and the
original
designer
of
record
cover
sleeves
and the
idea
of
imagining
sound
based
on the
image
on the
record
cover
sleeve
.
Discusses
the
physical
record
cover
sleeve
and the
image
of the
record
cover
correlating
on the
digital
album
,
such
as
iTunes
images
.
Discusses
the
idea
of the
acoustic
novel
.
38:00
Spooky
talks
about
his
book
“The
Book
of
Ice.”
Plays
clips
of
music
.
Writing
is
an
embalming
process
, that
froze
language
.
47:00
Plays
clip
of
remix
of
“Wolfmother.”
57:00
When
you
think
about
archives
and
recordings
,
we’re
still
playing
with the
notion
of a
playback
machine
.
1:00:30
Donny
[?]
asks
about
playing
back
the
acoustic
sounds
in
Antarctic
and how that
changes
the
environment
.
1:04:00
Recording
ends
.
Type of Event
lecture
Date Recorded
2011-07-05
File Format
.mp3
Performance Length
1:04:00
Rights Information
Copyright
release
given
to
Naropa
University
for the
purposes
of
preservation
,
marketing
and
educational
use
.
All
other
rights
reserved
to
individual
performers
.
Department
writing
Summer Writing Program Week
Week
Four
Original Format
CD/protools/Zoom
Tape Order
1 of 1
Publisher
Allen Ginsberg Library and Naropa University Archives
Type
Sound
Language
eng
File Name
CD-11-049.mp3
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